![]() ![]() ![]() McNamara’s best scene in the episode comes opposite Candice Patton’s Iris West, a heart-to-heart full of some hard truths about the damage allowing yourself to become the same darkness you’re chasing can do. Though the Green Arrow and the Canaries series so many of us (read: me) wanted to see was not to be, Mia’s story still has a lot of “unfinished business,” according to McNamara, including the disappearance of her half-brother William, her lingering, largely unprocessed anger toward both her parents, and her anxieties surrounding what it means that she’s chosen to pick up her father’s bow and carry on his legacy. “The writers did such an amazing job of picking up right where we left off with her.” ![]() She loves to dig in her heels,” McNamara laughs when asked how the past two years have altered her character. “Mia has simultaneously changed and also remains largely the same. She’s fascinating to watch and one has to hope that this return might presage a few more appearances in this universe, either on The Flash or one of its other shows. As a character, Mia remains as intriguing in Armageddon as ever, a unique mix of her father’s stubbornness and her mother’s sarcasm, all topped up with a hefty dose of the sort of deep-seated anger and need to prove herself we don’t often see in female heroes. ![]()
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